![]() ![]() The only way to get footage into the editing software was to first transcode it in a different app. To get a better idea of how good the 10-bit quality of the Panasonic GH5 really is, I did a subjective side-by-side comparison with a few other cameras in a post production workflow suitable to the camera’s price tag.Īt the time of my review, 10-bit files from the Panasonic GH5 were incompatible with Adobe Premiere Pro, After Effects and Blackmagic Design DaVinci Resolve, which is the software that I use on a Mac Pro, 2013 for video editing. That said, I found that the 10-bit images from the GH5 still gave me much more control over my colors than other small form factor 8-bit cameras available today. But after trying Vlog and tweaking the colors a bit more, I also found that skin tones were not as realistic as on larger cinema cameras like the Panasonic Varicams or cameras like the Canon C300. I was impressed when I first saw GH5 10-bit footage. With the right coloring or LUT, the results looked more organic and filmic than most of what I had seen in the area of small form-factor cinema cameras that shoot 8-bit. After all, many of us have been shooting 8-bit color on most of their productions and the step up to 10-bit should make a huge difference, going from millions to 1.1 billion colors of file information. Furthermore, many were frustrated with Vlog on the GH4, so let’s try to see how the performance was improved on the new model. I was really eager to test it and expected to see silky smooth skin gradations and footage with rich color information from Vlog recordings. Currently, we’re stuck with 150mbit, which is fine too and should give us great results.īut let’s go into 10-bit color depth right away. Slightly larger sensor area than the GH4Ī firmware update later this year will bring 6K photo mode, anamorphic recording as well as internal DCI 4K 10-bit with a 400mbit all-I codec.But looking at the camera’s specs, there are other attributes to like: That the Panasonic GH5 introduces 10-bit color depth is this camera’s most interesting feature, and one that had many filmmakers (including myself) excited for the last couple of months. For the dynamic range test I use a DSC labs XYLA-21 transmissive test chart, and to measure sharpness I used a combination of a subjective chart and a huge 8K Imatest ISO chart. In the case of the Panasonic GH5, the lens was attached via EF-mount with the Metabones Speedbooster Ultra adapter, which in my experience gives me excellent optical performance. We test all cameras with the same Zeiss 50mm Cp2 macro lens (more on how we test HERE). I will also try to examine the low-light performance and take a particular look at 10-bit. In this Panasonic GH5 review, I will run the usual tests I do here at cinema5D, and invite you to check several important sensor attributes like dynamic range, sharpness and rolling shutter performance. Panasonic GH5 with a Speedboster Ultra and the Zeiss 50mm Cp2 Macro Lens We recommend that you always try and test any product for yourself and find your own conclusions based on your technical requirements before you use them. Also check out the preliminary hands-on that Graham did in January.Įven though we try very hard to give you an objective view of the product reviewed, please note that all information and conclusions written in this article reflect the opinion of the author. Panasonic GH5 ReviewĪfter a short delay, here is our long awaited Panasonic GH5 lab review. Here is our lab analysis, where we will evaluate all the pros and cons of the new GH5 sensor, with a focus on the new 4K 10-bit mode. It is the first of its kind to finally break the barrier towards a compact form-factor 10-bit 4K acquisition in the realm of (somewhat) large sensor cameras. The Panasonic GH5 is one of the most highly-anticipated compact cinema cameras of the year. Read the update notes and clarification HERE. ![]()
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